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“Manthan” A Solo Exhibition By U.S.–Based Artist Anisha Sanghani, Opened At Kamalnayan Bajaj Art Gallery

“Manthan: Let the Churn Begin Within You”, a solo exhibition by U.S.–based artist and educator Anisha Sanghani, opened at the Kamalnayan Bajaj Art Gallery, Nariman Point, Mumbai (December 1–6, 2025). The show reimagines the myth of Samudra Manthan as an urgent ecological warning, where oceanic beauty stands shoulder to shoulder with the devastation of consumer waste.

Sanghani’s mixed-media works capture this collision with striking clarity. In The New Manthan, a sea turtle threads its way through swirling mythic forms and towering heaps of plastic debris. In Wrath, an enraged goddess rises from the depths, expressing the fury of divine forces witnessing oceans defiled by human negligence.

Her rich, layered aesthetic draws viewers in before revealing the stark reality beneath. That reality informed her process: in a series of personal experiments, Sanghani submerged herself with her face sealed in plastic to experience, momentarily, the suffocation marine creatures endure. “I became their voice,” she says.

For Sanghani, art becomes a call to conscience. “Art cannot clean the oceans,” she notes, “but it can remind us of what they mean to us.” Manthan invites viewers to confront their own role in this crisis—and to begin their own internal churning toward awareness and responsibility.

The exhibition was inaugurated by Ms. Nidhi Choudhari, IAS, Director & Artist, National Gallery of Modern Art, along with Sameer Balvally and Shilpa Jain Balvally (Studio Osmosis), Ronak Sutaria (Respirer Living Sciences), Rishiraj Sethi (Aura Art), Dilip Ranade, and Prakash Bal Joshi.

Bollywood director Harshavardhan Kulkarni, Sony marketing strategist Parinda Singh, and music director Khamosh Shah were also present.

Photography by Ajay Natke and Sharon Dev Pimento.

 

“Manthan” A Solo Exhibition By U.S.–Based Artist Anisha Sanghani, Opened At Kamalnayan Bajaj Art Gallery

“UJJAL” An Exhibition Of Paintings & Sculpture By 6 Renowned Artists In Jehangar Art Gallery

From: 14th to 20th October 2025

“UJJAL”

An Exhibition of Paintings & sculptures by 6 contemporary renowned artists – Bappa Maji, Pravat Manna, Subrata Paul, Sudeshna Sil, Sudip Biswas, Tanmoy Hazra.

VENUE:

Jehangir Art Gallery

Auditorium Hall

161-B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 9163718889, +91 9831307228

UJJAL” — A Radiant Confluence of Painting & Sculpture
14 – 20 October 2025 | Jehangir Art Gallery (Auditorium Hall), Mumbai

The group show “UJJAL” displays paintings and sculptures by six contemporary Indian artists: Bappa Maji, Pravat Manna, Subrata Paul, Sudeshna Sil, Sudip Biswas, and Tanmoy Hazra.

“UJJAL” (meaning bright, luminous) draws viewers into a deep conversation with form, colour, memory, myth, and nature. These six artists, regardless of their fields, combine tradition and novelty, the physical and the lyrical, the individual and the general.

This show was inaugurated on 14th October 2025 by Mr. Brahmanand S. Singh(National Award Winning Filmmaker, Author & Mentor)

Bappa Maji of Kolkata sculpts sacred and animal forms using the Bengal Dokra tradition. He reinterprets mythological Vahanas in new materials. His art considers humans, animals, myth, and daily life, prompting viewers to feel respect and think.

Pravat Manna uses paint to change the canvas into a landscape of feelings, using oil, acrylic, and mixed media. Through layered compositions, he explores memory, identity, and humanity, using technical skill and personal symbolism.

Active since the late 1990s, Subrata Paul sculpts, often with bronze and wood, moving beyond mere replication to reveal the hidden energies of form. His sculptures communicate human feelings and interactions, using both old and new artistic methods.

Sudeshna Sil’s work reflects her sensitivity, influenced by Bengal’s nature and art training. Through watercolour, mixed media, and fabric, she portrays nature’s depth, offering escape from city life.

Sudip Biswas, a notable modern Indian painter, creates stories of quiet feelings, cultural remembrance, and tradition. Benaras and the Ganga influence his paintings, which combine abstraction and figuration. His recent awards highlight the impact of his work.

The exhibition also includes Tanmoy Hazra’s work, which is characterised by its expressive and innovative qualities and engagement with diverse materials, form, context, and meaning.

The six artists engage in a complex dialogue, rich with layers of myth and matter.

“UJJAL” presents a unique mix of artists, allowing art lovers to dive into modern Indian visuals that are both classic and forward-looking. We welcome everyone to experience these artworks at Jehangir Art Gallery.

Sushma Sabnis – Mumbai.

“UJJAL” An Exhibition of Paintings & Sculpture by 6 renowned artists in Jehangar Art Gallery

“Visthapan” Solo Show Of Recent Work By Vishwa Sahni In Jehangir Art Gallery

From: 14th to 20th October 2025

“Visthapan”

A Solo Show of Recent Work by Vishwa Sahni

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 9324647023

“Visthapan” Solo Show of Recent Work by Vishwa Sahni in Jehangir Art Gallery, Kala Ghoda, Mumbai from 14th to 20th October 2025

This show was inaugurated on 14th October 2025 by Ms. Manju Ramesh Chouhan(Staff member of Jehangir Art Gallery) in the presence of Mr. Padmanabh Bendre(Eminent Artist), Pradeep Chandra(Eminent Photographer & Author), Mr. Uttam Jain(Patron Hindustan Chamber of Commerce), Mr. Snehal N. Muzoomdar(President, Indian Musicological Society), Mr. K.K. Tated(Chairman, committee to monitor Animal Welfare) among others.

Vishwa Sahni’s painting seems to have been focused for some time on the contention that abstraction, if allowed to breathe in a deeper pictorial space, can maintain visual opulence without drifting too far from its essentially two-dimensional syntax. Among a generation of artists who matured on this side of painting’s pluralist expansion, where each painter’s style, look and touch was far more varied than that of their predecessors, Sahni held to a firm figurative scaffold based on migration both perceived and imagined. Though the iconography in this recent work remains readable each painting’s horizon is still easy to find, there is in newer panels a softening of the edges and a swelling of forms that now shimmer behind translucent washes instead of bending, as they once did, into each other’s space. From an optimal distance coerced from the viewer by the five feet by nine feet spread of their frames their reconfigured cohesion seems to rely less on drawing and more on a spontaneous manipulation of hue and texture.

The resulting airiness is a clear departure from his earlier work, which is reprised in this exhibition, an example of his harder-edged shapes, apparently reconstituted during the painting’s many stages of development so as not to diminish the careful coordinating of its unique structural invention. To drift from the success of this method is risky, for what’s been so appealing about Sahni’s work until now has been precisely its interconnected complexity. The changes seen in this exhibition may be attributed in some measure to his establishing a studio in Mumbai, a move from country life in Madanpur, for reasons linked to the landscape itself, resetting a painter’s perspective.

A clue to the path taken in this shift between the earlier compositions and these newer, cloudier apparitions may be found in seven-foot square painting representing the artist’s trials at keeping the structure fixed tighter to the surface. Here, a familiarity with Sahni’s elevated horizon line helps the viewer read the ghost of a landscape that still exists despite the missing diagonals and story-book trees of his earlier work, elements that had once supported the artist’s penchant for excavating spatial illusion with little cost to a lively surface. Visthapan marks the change as its simplified shapes are not immediately recognizable as landscape elements. They also seem unusually tolerant of each other’s position in the composition.

And yet to my eye the most adventurous of the newer canvases in the show, still owes something to the lexicon of the earlier work, though here it seems Sahni’s method has turned to a new and pronounced improvisation. Visthapan’s surface remains in a perturbed state. Edges are ragged and makeshift. Translucency dominates. There is even a gestural coarseness replacing what was once a controlled chaos of endlessly suggestive shapes. The color alone in Visthapan provides the link to earlier work, being mostly middle tones of contingent primary and secondary hues.

For anyone who has followed Sahni’s work these many years, an effort to catch up to where he is now will require diligence, which I believe is a fair expectation for him to make as his paintings have always appealed to a visually smart audience. Because his abundant inventiveness had constituted as near a legible pictorial language as created by any painter in recent memory, encountering its contraction will demand a real and unavoidable learning curve. Sahni is a painter whose strength had always been his ability to develop variations on a theme. The construction of an intelligent, readable and teasingly ambiguous pictorial image, still speaks to a continuity of vision.

Sahni has never been a painter fixated on concocting a new look, and there is no indication here of chasing novelty, nor is there any hint of applying arbitrary effects to avoid comparison with contemporaries. From the beginning his work has been a conscious adaptation of migrant landscape elements knit tightly into compositions that owed a great deal of their cohesion to those compositional properties that as any instructor knows are maddeningly difficult to formulate verbally but can be appreciated in its many variations. As galleries continue to hawk brightly colored things apparently meant for the simpler aim of accessorizing the expansive blank walls that once provided inexpensive working space for artists, it gives one hope to watch a painter keep to self-imposed limitations, not in spite of, but because there is more than enough room within a rectangle of canvas to address a thoughtful and historically aware sensibility.

—Abhijeet Gondkar

October 2025, Mumbai

 

“Visthapan” Solo Show Of Recent Work By Vishwa Sahni In Jehangir Art Gallery

WANDERING EYE An Exhibition Of Photographs By Sateesh Dingankar In Jehangir Art Gallery

8th to 14th October 2025

“Wandering Eye”

An Exhibition of Photographs by Sateesh Dingankar

This show was inaugurated on 8th October 2025 by Honourable Guest – Prakash Bal Joshi(Veteran Visual Artist), in the presence of Dr. Sanjay Bhide ( Founder, Convenor and secretary TACCI), Mukesh Parpiani(Legendary Photojournalist)

Photography has always been a way of holding a mirror to the world. But in these images, the mirror is tilted—revealing not only what is seen, but also what is suggested, what lies between perception and imagination. These photographs by Sateesh Dingankar listen to the quiet gestures of the world— a twig casting shadows that dance, a crack turning into an exclamation, a tree trunk whispering a human form.

Light bends, metal shimmers, rust deepens into memory. Ants march, a snail hesitates, nature leans against the man-made, and even what is discarded smiles back. In this exhibition, photography is not just documentation, but meditation. It is a practice of finding poetry in surfaces, gestures, and fleeting light—reminding us that the extraordinary is often hidden in plain sight.

—-Prakash Bal Joshi- Eminent Artist

WANDERING EYE An Exhibition Of Photographs By Sateesh Dingankar In Jehangir Art Gallery

Bouquet Of Art Gallery & Hyderabad Art Society Presents VIBRANT VISIONS An Art Exhibition By 30 Renowned Contemporary Artists At Nehru Centre Art Gallery

23rd – 29th September 2025

Bouquet Of Art Gallery & Hyderabad Art Society present

VIBRANT VISIONS

An Exhibition of Paintings & Sculptures by 30 Contemporary Renowned Artists

Venue:

Nehru Centre Art Gallery (AC Gallery)

Dr. Annie Besant Road, Worli, Mumbai – 400018

Timings: 11:00 AM – 7:00 PM

Contact: +91 7208256585

VIBRANT VISIONS: A Celebration of Diverse Strokes and Shared Perspectives

Mumbai, September 2025 – Vibrant Visions, a distinguished art exhibition showcasing the works of 30 acclaimed contemporary artists, opened on 23rd September 2025 at the prestigious Nehru Centre Art Gallery, Worli, Mumbai.

The exhibition was inaugurated by Rajiv Mishra, Principal of Sir J. J. College of Art, Architecture & Design (Deemed University), in the esteemed presence of:

* Rajendra Patil, Director, India Art Festival

* Bandana Jain, Expert in Sustainable Art & Design

* Ajay Samir, Celebrated Contemporary Artist

This collective art showcase brings together paintings and sculptures across diverse genres—ranging from abstract, figurative, cultural, and urban expressions to nature-inspired and sustainable creations. The exhibition celebrates the unity of artistic thought while highlighting each artist’s unique perspective.

The event is presented by:

Anjali & Narendra Arora, Founders & Directors, Bouquet Of Art Gallery

V. Ramana Reddy, Eminent Sculptor & President, Hyderabad Art Society

Vibrant Visions will remain open to visitors until 29th September 2025, offering art enthusiasts and collectors a chance to engage with works that embody both tradition and contemporary imagination.

https://www.youtube.com/shorts/AQaRwzcxn98

 

Bouquet Of Art Gallery & Hyderabad Art Society Presents VIBRANT VISIONS  An Art Exhibition By 30 Renowned Contemporary Artists At Nehru Centre Art Gallery

KALAMANJIRI An Exhibition Of Paintings & Sculptures By 5 Women Artists In Jehangir Art Gallery

Date:  9th – 15th September 2025.

KALAMANJIRI – A Bouquet of Arts

An art exhibition by 5 women artists – Seema Shirke, Bharati Bukte, Neha Gudge, Neeta Asalkar, Priyanka Jagangada

VENUE:

Jehangir Art Gallery

161 – B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm.

Contact: +91 9850427488 / +91 9881615601

Get ready to be mesmerized by the vibrant colours & creative expressions of Pune based 5 talented women artists at Jehangir Art Gallery, Mumbai.  The exhibition titled     ‘ Kalamanjiri – A Bouquet of Arts’, showcases a diverse range of paintings, sculptures and murals that reflect the artist’s unique perspectives and styles.

The exhibition features works by Seema Shirke, Bharati Bukte, Neha Gudge, Neeta Asalkar & Priyanka Jagangada, each bringing their own distinct touch and expression to different media.  From abstract, figurative expressions, beautiful landscapes to coffee paintings, murals and creative sculptures, the art works on display will take viewers on a beautiful journey of different facets of fine art.

This show was inaugurated on 9th September 2025 by Honourable Guests Shri. Prakash Bhise(Eminent Artist), Vikrant Manjrekar (Renowned Sculptor), Rajendra Patil (President – The Bombay Art Society, Founder – India Art Festival, MUmbai)

Through their art, these women showcase their creativity, skill and passion, inspiring audiences to explore new perspectives and appreciate the beauty of art.

KALAMANJIRI  An Exhibition Of Paintings & Sculptures By 5 Women Artists In Jehangir Art Gallery

IMMOVABLE BEAUTY Solo Show Of Paintings By Well-Known Artist Prof. Sunil Saxena In Jehangir Art Gallery

From: 9th to 15th September 2025

“IMMOVABLE BEAUTY”

Solo Show of Paintings

By

Well-known artist Prof. Sunil Saxena

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm.

Mob.: +91 9415209709

Prof. Sunil Kumar Saxena: A Journey Through Nature’s Inner Mysteries

Nature is boundless in structure and infinite in form, and every artist strives often in vain to grasp its ever-shifting essence. Yet, it is within this very impossibility that art finds its poetry. Born in 1956, Professor Sunil Kumar Saxena has devoted nearly four decades to exploring this challenge. Educated in Kanpur, he has participated in seven solo exhibitions, seven international exhibitions, and over a hundred group shows and art camps across India and abroad.

This show was inaugurated on 9th September 2025 by Chief Guests – Rajendra Patil(President, Bombay Art Society, Founder – India Art Festival, Guest of Honours Prof. Surendr Jagtap(Eminent Artist, Principal – J.K. Academy of Art and Design, Wadala, Mumbai, Treasurer, Bombay Art Society, Mumbai), Niddhi Chowdhury(Director, National Gallery of Modern Art, Mumbai)

For Prof. Saxena, landscape Paintings is not just a genre—it is a profound calling. He finds himself drawn not to the human presence within nature, but to nature’s enigmatic soul itself. His artworks dive deep into structural secrets and the layered beauty of terrain—mountains, rivers, and skies—which might appear familiar, yet, under his gaze, unveil hidden dimensions and emotional undercurrents.

In his visual world, blurred horizons, veiled mountain ranges, and mirrored reflections in water craft a dreamlike ambiance—one that compels viewers to look beyond the surface. His painterly language reflects a sophisticated understanding of space, light, and form. He does not merely depict nature; he interprets it, revealing layers of meaning that transcend visual representation and challenge the very boundaries of artistic expression. His abstract works transform natural elements into symbolic reflections of life. Mountains represent stability and strength; rivers suggest movement and continuity; clouds speak of life’s uncertainty; and the sky becomes a metaphor for freedom and spiritual longing. Through these expressive compositions, Saxena’s art functions as a metaphorical mirror of human existence. Nature, with its rhythmic cycles and inner divinity, profoundly influences human life. Prof. Saxena’s paintings invite the viewer to experience nature not as a static entity, but as a continuously unfolding mystery—one that captures fleeting moments while awakening wonder and introspection. His works are not mere depictions, but meditative explorations that resonate with emotional depth and philosophical inquiry.

This exhibition offers more than visual appreciation —it offers a contemplative passage. A journey into nature’s hidden harmonies, where the ephemeral becomes eternal, and the visible dissolves into the sublime……

IMMOVABLE BEAUTY Solo Show Of Paintings By Well-Known Artist Prof. Sunil Saxena In Jehangir Art Gallery

ANISOTROPIC An Exhibition Of Paintings By 3 Contemporary Well-Known Artists In Jehangir Art Gallery

From: 19th to 25th August 2025

“ANISOTROPIC”

An Exhibition of Paintings by 3 contemporary well-known artists –  Boddeti Suryanarayana, Raki Rao, Diana.

VENUE:

Jehangir Art Gallery

161-B, M.G. Road, Kala Ghoda,

Mumbai – 400 001

Timing: 11am to 7pm

Contact: 9962293401

A  group show that depicts non uniformity in unity .

various styles , emotions and ideologies come together  as one narrative !

Anisotropic, where non-uniformity meets uniformity, a heartfelt event group show of 3 artists from Andhra Pradesh. Anisotropic is more than   just an art exhibition — it’s a beautiful reunion of us !

This show was inaugurated on 19th August 2025 by Honorable Guests – Mr. Nitin Jadia – Art Collector,  Mr. Sanjay Nikam – Art Curator, Mr. Gopal Pardeshi – well-known artist, Mr. Prasad Balan –  Arreywaah.com – Director, Founder among others. This show will continue till 25th August 202

Mr. Ajoykant Ruia(Director – Allstate Group) also visited this exhibition.

Boddeti Suryanarayana

Boddeti Suryanarayana is a retired Drawing Teacher. He has been producing wonderful paintings and works of Art. He is well-known all over India and also abroad. He has won several awards both at state and national level. The style of his art is realistic and deals with the lives of the Primitive Tribal Groups.

Boddeti Suryanarayana goes back to his boyhood days when he spent his days among the PTGs, as his elder brother was working in the Girijan Co-operative Corporation, Visakhapatnam District located in Paderu, Chinthapalli and Aruku Valley. His keen observation of their lives became the subject of his art of painting. He is a unique painter because nobody has touched this subject so far. His experiences of his early days with the PTGs brought him recognition at the national level and resulted in getting awards and name and fame.

The tribal communities in the Visakha Agency have a rich history, marked by unique cultural practices and distinct social structures. These groups, including the Bagata, Kotiya, Konda Dora, and others, have traditionally inhabited the hilly and forest regions of the Eastern Ghats.

The Khond, Porja and Gadaba are identified as “Primitive Tribal Groups” (PTGs). They depend on Podu cultivation, forest produce collection, carpentry and black smithing for their livelihood.

Mr.Boddeti Suryanarayana mingled with these Primitive Tribal Groups to study their life style. His paintings emerge out of his realistic study of their day-to-day life.

Raki Rao

RAKI, or Rama Krishna Donga, a Chennai-based artist from Palakol, Andhra Pradesh, will showcase his Fusion Art at the ANISOTROPIC group exhibition at Jehangir Art Gallery, Mumbai, from August 19th to 25th, 2025.

Self-taught but mentored by stalwarts like Ankaiah and Sri Rajavelu, RAKI has 40 years of experience, including assisting a well-known South Indian artist and associating with prominent groups like Guntur Pandavas and Kalapeetham of Andhra Pradesh. His artistic career, which began in 1985, later evolved to include modern abstract styles, blending cubism with traditional themes. This unique style, characterized by a symbiosis of modern techniques and a traditional foundation, is referred to as Fusion Art.

RAKI holds a Diploma in Painting from SDKK College of Fine Art, Chennai. He has served as Vice President of the Tamil Nadu Arts and Crafts Improvement Association (2017-2019) and Cultural Secretary for Andhra Pradesh & Telangana State at Sri Dharshini Group of Institutions (2018-2019). He also founded the VAPA-BAPU Art Association. RAKI has earned 16 awards in major South Indian competitions and participated in over 35 exhibitions.

Diana

Ms. DIANA , from Andhra Pradesh, is a passionate Educator, writer, art therapist, and  folk artist with 24 years of experience in the field of Art.  She is a multidisciplinary artist  who  practices a unique Art form called the Deccani scrolls  which is quintessential to Andhra and Telangana state , where she grew up !  Her vibrant works—encompassing textiles, murals, natural stone and clay colors , and community-based installations—reclaim indigenous and matriarchal histories.

She is a versatile artist who has done immersive residencies on batik from Indonesia  , natural dying from Mysore  and ceramics from chennai .Through intricate clay vessels, vibrant batik tapestries, and plant-based dyes, she explores themes of cultural motifs  and environmental connection. Additionally, she has completed an art therapy course and conducts successful therapy sessions for individuals and corporate clients who need help with depression and anxiety .

Currently, Diana works at KIDS Central High Cambridge International School, where she is deeply committed to fostering community connections through art.

ANISOTROPIC An Exhibition Of Paintings By 3 Contemporary Well-Known Artists In Jehangir Art Gallery

FRAGMENTS OF SILENCE An Art Exhibition By 6 Contemporary Renowned Artists In Jehangir Art Gallery

From: 12th to 18th August 2025

“FRAGMENTS OF SILENCE”

An Art Exhibition by 6 contemporary renowned artists – Virendra Chopde, Vinay Bagde, Abhishek Chourasiya, Vinod Chachere, Siddharth Bettajewargi, Umesh Nayak

VENUE:

Jehangir Art Gallery

Auditorium Hall

161-B, M.G. Road,

Kala Ghoda, Mumbai 400001

Contact: +91 8149723564 / +91 7276409841

Timing: 11am to 7pm

This show was inaugurated on 12th August 2025 by Honorable Guests –

Dr. Kishor Ingale, kalasanchalak, kalasanchalanalay, Maharashtra Rajya.

 Milind Limbekar,Renowned artist, critic, and art collector.

Maheshchandra Rajgire, Eminent artist,

 Chandrakant Channe, founder, Basoli group.

Prof.Vishawnath Sable, Dean, Govt. College of Art and Design, Nagpur.

FRAGMENTS OF SILENCE

The aesthetics of fragments and silence occupy a potent conceptual space in today’s contemporary visual art. fragments operate as aesthetics and conceptual device; they reflect what we perceive and execute. whereas silence here is a space between what is said and what remains unspoken.

Artist today is practicing in various medium and material a group of such artists has joined hands together where they stand common conceptually but differs in the language and material. Each of them has their own poetics of fragments and space, yet they stand with a powerful narrative void and a space inviting spectator to enter the world of personal and collective history. Discussing on silence they call it a space not an emptiness, presence of the unseen silence which is muted by multiple layers of steel plates and arrested in the warmth of paper leaf in the shades of colour and the deliberate pauses between forms. it is not passive it resists withholds and listens.

The desire and capacity to move from the conscious to the mystical is constant and evident in this group’s explorations. Abhishek Chourasiya has straight dialogue between the tradition and modern consciousness he tries to understand the transformation of real and make belief he further clarifies that they both are so genuine that the creator the spectator and the unconcerned are engaged and realizes that it exists. this very existence is then related with his idioms of artwork and then continuum to exist in us. Siddharth Bettajewargi is the one who has distinctly used natural materials as the medium, viewing nature as his mother and prioritizing environmental concerns above all else. he creates and unleashes various form of human figures in the fallen leaf.

This transformation with the paper- mesh and fallen dry leaf is unique leaving behind interaction of speechless emotions characterized in flexible material. Umesh Chandra Nayak’s sculptures work convincingly challenge the formal nature of academic art, they are deeply personal yet universally resonant with exploration of memory, gender and cultural inheritance. The use of layered metal sheets in his sculptures is intended to symbolize different stages of human behavior, consciousness, and silence, evoking voices from stories that are otherwise inaccessible. It acts as vessels of absence, a carrier of silence. Sustaining each evolving phase of this self-awareness determines the individual contribution to humanity.

Vinod Chachere’s fragments in the work appears throughout the compositions not as ruins, but as carriers of memory. Vinod’s canvas becomes an excavation were meaning needs to be assembled attentively from scattered signs. The silence here is visual and quietness that emerges from muted palettes, minimal gestures, and restrained composition yet it is so conceptual. He believes Fragments and space do not diminish truth they deepen it and carries the viewer into an intimate dialogue. Vinay Bagade’s figures are narrative not through explicit storytelling but through gesture, posture and gaze inspired by lived experiences observation and fragmented memories rooted in traditional figurative techniques.

Vinay blends realism with beautification, often depicting static, emotionally distant figures, with decorative elements floating around as if they are residues of memory or psyche. Virendra Chopde displays his skill in portraying beautiful, elegant, simplified forms highlighted with his distinct style.

https://www.youtube.com/shorts/pVDWriDh0TQ

His paintings emphasize sensitivity of subject and strength of aesthetics, revealing interrelationship of nature and emotion. Chopde’s paintings are the celebratory interpretation of beauty, often featuring dynamic compositions that include flowers particularly “chafa” [Plumeria Flower] which reflect his affinity for nature. His depictions of men, women, flowers, leaf leaves a mark by flat joyous colours and elegant rhythmic lines.

MILIND LIMBEKAR

Artist, Art critic, Art collector

 

FRAGMENTS OF SILENCE An Art Exhibition By 6 Contemporary Renowned Artists In Jehangir Art Gallery

 

MEDITATIVE ECHOES An Exhibition Of Paintings By Dinesh Kumar Parmar In Jehangir Art Gallery

12th to 18th August 2025

“Meditative Echoes”

An Exhibition of Paintings by

Dinesh Kumar Parmar

VENUE:

Jehangir Art Gallery

161-B, M.G. Road

Kala Ghoda, Mumbai 400001

Timing: 11am to 7pm

Contact: +91 8830708819

Dinesh Kumar Parmar’s artistic oeuvre stands as a vivid visual meditation on inner states of being, spiritual transcendence, and the synesthetic experience of colour, rhythm, and emotional equilibrium. His recent series, as seen in the mixed-media works from Aura and Meditation, reveals a subtle and contemplative visual language where figuration and abstraction coalesce to communicate metaphysical stillness and emotional euphoria.

This show was inaugurated on 12th August 2025 by Honorable Guests Prof. Vishwanath Sable, Dean Govt. College of art and Design, Nagpur,  Nitin Jadia Art Collector, Rajendra Patil(Para) eminent artist, Sanjay Nikam Art Curator among others.

The central figure in meditative posture, rendered in earthy tones and textural overlays, becomes more than a subject—it becomes a metaphor for the eternal rhythm of existence and the serene cadence of spiritual awakening. Parmar’s art invites the viewer into a tranquil realm where silence is audible and time slows into reflection. His use of colour fields and organic textures evokes both natural patterns and inner emotional weather, turning each work into a portal of introspection.

The thematic continuities in his other paintings—such as the juxtaposition of a stag and bottled elements, or a female figure looking upwards to a red triangle—point towards dream logic and symbolic narration. These visual metaphors, grounded in tonal harmony and compositional finesse, suggest cycles of longing, observation, and silent transformation. There is a strong undercurrent of the feminine divine, spiritual ecology, and cosmic alignment running through his visual lexicon.

https://www.youtube.com/shorts/KwhFHBWJf-k

  

MEDITATIVE ECHOES An Exhibition Of Paintings By Dinesh Kumar Parmar In Jehangir Art Gallery